ORNETTE COLEMAN - THE SHAPE OF JAZZ TO COME

INCLUDES 2 BONUS TRACK

180-GRAM RED VINYL

INCLUDES NEW SPECIALLY PREPARED LINER NOTES BY PENGUIN GUIDE TO JAZZ'S WRITER BRIAN MORTON AND BY PARIS'S PRESTIGIOUS JAZZ MAGAZINE

The Shape of Jazz to Come was a watershed event in the genesis of avant-garde jazz. The record shattered traditional concepts of jazz harmony, disposing of both the piano player and the whole idea of concretely outlined chord changes. The compositions here follow almost no predetermined harmonic structure, allowing Coleman and Don Cherry unprecedented freedom to take the melodies of their solo lines in whatever direction they felt in the moment, regardless of what the piece's tonal centre appeared to be. This was the first time Coleman recorded with a rhythm section –consisting of bassist Charlie Haden and drummer Billy Higgins – that was open-eared and loose enough to follow his already controversial conception. 180-GRAM COLORED RED VINYL - THE COMPLETE ALBUM + 2 BONUS TRACKS- Contains new specially prepared liner notes by Penguin Guide to Jazz's writer BRIAN MORTON and by Paris' prestigious JAZZ MAGAZINE.

Side A:

1 LONELY WOMAN 5:01

2 EVENTUALLY 4:24

3 PEACE 9:06

4 MONK AND THE NUN 5:58 *

Side B:

1 FOCUS ON SANITY 6:53

2 CONGENIALITY 6:48

3 CHRONOLOGY 6:08

4 JUST FOR YOU 3:51 *

All compositions by Ornette Coleman

* Bonus tracks: from the same session, but not included on the original LP.

Personnel

ORNETTE COLEMAN, alto sax

DON CHERRY, cornet

CHARLIE HADEN, bass

BILLY HIGGINS, drums

Hollywood, California, May 22, 1959.

Original recordings produced by Nesuhi Ertegün.