Chet and Dick

Artistas: Chet Baker

CD
1
38012

€8.99

Tax included

THE JEAN-PIERRE LELOIR COLLECTION

INCLUDES 9 BONUS TRACKS

DELUXE PACKAGING – Thick cardboard Fold Open Digi-Sleeves with inner sleeves

"Chet Baker Quartet Vol.1" (Barclay 84009) was the first album recorded by Baker in Europe. Before that 1955 tour, he had never been to the Old Continent. Traveling with him was pianist Dick Twardzik, a highly talented player who had been praised by the likes of fellow pianist Russ Freeman (who encouraged him to record his only session as a leader) and Charlie Parker (who called Twardzik to back him during several Boston engagements). Twardzik would die in Paris at the age of 24 due to a heroin overdose a few days after recording the two sessions included on the present album.

Further sessions recorded by Baker in Paris for Barclay and originally included on "Chet Baker and His Quintet" (Barclay BLP-84042) and on the "Blue Star" EP-74020 have been added here as a bonus.

PERSONNEL:

CHET BAKER, trumpet
DICK TWARDZIK, piano
JIMMY BOND, bass
PETER LITTMAN, drums

Pathé-Magellan studio, Paris, France, October 11 (tracks 1, 3, 4, 6 & 7)
& October 14 (tracks 2, 5, 8 & 9), 1955.

BONUS TRACKS [10-18]:

10-12: Chet Baker (tp), Benny Vasseur (tb), Jean Aldegon (as),
Armand Migiani (ts), William Boucaya (bar),
René Urtreger (p), Jimmy Bond (b), Nils-Bertil Dahlander (d).
Paris, France, October 25, 1955.

13-14: Chet Baker (tp), Jean-Louis Chautemps (ts), Francy Boland (p),
Eddie de Haas (b), Charles Saudrais (d).
Paris, France, February 10, 1956.

15-18: Chet Baker (tp), Benny Vasseur (tb), Teddy Ameline (as),
Armand Migiani (ts), William Boucaya (bar), Francy Boland (p),
Benoit Quersin (b), Pierre Lemarchand (d).
Paris, France, March 15, 1956.

TRACKS:

01 RONDETTE
02 PIECE CAPRICE
03 MID-FORTE
04 RE-SEARCH
05 POMP
06 SAD WALK
07 JUST DUO
08 THE GIRL FROM GREENLAND
09 BRASH
10 CHET (*)
11 DINAH (*)
12 VLINE [First Version] (*)
13 ANTICIPATED BLUES (*)
14 TASTY PUDDING (*)
15 MYTHE (*)
16 NOT TOO SLOW (*)
17 VLINE [Second Version] (*)
18 IN A LITTLE PROVINCIAL TOWN (*)

(*) BONUS TRACKS

Total Time: 68:55

Format: CD
Discs: 1
Label code: 38012

Reference JIM 149128

Chet Baker

The sad angel of jazz, the James Dean of Jazz, the monster or the white Miles Davis, as Chet Baker is often called, seem like epithets used by the ancient Greeks to define the qualities of their gods and heroes.

And the fact is that the life of this American trumpeter, singer and musician was epic: the gods gave this man unique talents, but also a life experience that struggled between shadows, addictions and torments.

The music that Chet Baker made is an authentic and inescapable sample of the best style of jazz called cool, or also known as the west coast jazz of the first half of the last century. For jazz lovers, Baker is one of the most important exponents of both the style and the genre: a singular, intimate voice, with soft and plaintive melodies, which undoubtedly captivates anyone. His life and legacy, for any jazz collection, deserve to be on the podium.

BIOGRAPHY

Chet Baker had a real name: Chesney Henry Baker Jr. He was born in Yale (Oklahoma) on December 23, 1929 and died under strange circumstances in Amsterdam (Netherlands) on May 13, 1988. His childhood was fleeting and without too many grandiloquences: a mother who worked in a perfumery and a father fond of the guitar who initiated him in the trombone, although he ended up buying him a trumpet because the trombone was too big for him.

The musical beginnings of the sad angel of jazz go back to the singing contests in which he participated in school and church choirs. After military service and playing in the 298th Army Band in Berlin, Chet Baker returned to the United States and enrolled at El Camino College in Los Angeles. There he studied harmony and music theory, although he later withdrew from this institute for not meeting some of his expectations. After re-enlisting in the army, where he participated in the Sixth Army Band in San Francisco, Chet Baker devoted himself exclusively to jazz.

Like the vast majority of jazzmen of the time, Baker's career was made on the basis of performances in bars and jazz clubs. His leap to fame and immediate recognition came when he took part in a trumpet audition for the legendary Charlie Parker, who, without hesitation, hired him as a sideman. Touring with Parker, this was the time when not only his musical abilities and influences, but also his addictions, took hold, and in which he also had the opportunity to share experiences with legendary musicians such as Stan Getz and Gerry Mulligan.

MUSICAL INFLUENCES

It is sometimes difficult to build a musical legacy in an era where talent seems to be produced in industrial quantities. But being born and developing in the midst of talents like Charlie Parker, Gerry Mulligan, or in the wake of Miles Davis or Ella Fitzgerald, did not backfire on Chet Baker: he built his musical destiny in his own style, without being obscured by the brilliance of many of those who collaborated with him.

Baker's main musical influence was to have brought cool jazz into his own territory. His lyrical talent and mastery of the trumpet, which was able to say in a chord what others said with words, opened him to the public and configured around jazz a way of living and feeling the music with his own stamp.

DISCOGRAPHY

Chet Baker died on May 13, 1988. He fell from a window (or was thrown, as some suspect) from a hotel in Amsterdam, but he left behind a musical record of luxury. Let's take a look at a selection of that recording legacy:

1952 Live at the Trade Winds

1953 West Coast Live

1953 Witch Doctor

1953 Chet Baker Sings

1953 Compositions and Arrangements by Jack...

1953 Grey December

1953 Chet Baker and Strings

1953 Chet Baker with Strings

1953 The Other Pianoless Quartet, Haig 1953

1954 Young Chet

1954 Boston

1954 Jazz at Ann Arbor

1954 The Trumpet Artistry Of

1954 Chet Baker Sextet

1954 Chet Baker Big Band

1954 My Funny Valentine

1955 Chet Baker Sings and Plays from the "Let's...

1955 Chet Baker Sings and Plays with Bud Shank,...

1955 In Europe 1955

1956 Quartet: Russ Freeman/Chet Baker

1956 Chet Baker & Crew

1956 The Route

1956 At the Forum Theater

1956 Chet Baker Cools Out

1956 Playboys

1956 Chet Baker in Europe

1956 Live in Europe 1956

1956 Chet Baker Sings

MOST FAMOUS SONG

Although numerous artists (over 600 to be exact) have covered Rodgers and Hart's My Funny Valentine, no one has dared to do it quite like Chet Baker. It may seem an exaggeration, but it can be said that this song would not be the same without Chet Baker. It is undoubtedly followed by Chet Baker - Let's get lost or Chet Baker Singing, songs that are still listened to because of the mark they left on jazz fans.

Among other important songs we can also highlight: But Not For Me - (Chet Baker Sings - Chet Baker); or one of his most intimate and sentimental songs, Why Shouldn't I? Here the trumpet, the strings and the tenor saxophone, move, bring closer and warm any audience.

Finally, Chetty's Lullaby and Almost Blue are mentioned, two songs that can be called biographical in the sense of Chet's relationship, life and work: the kind of life he led with the kind of music he managed to produce while he was alive.